srijeda, 24. svibnja 2017.

utorak, 23. svibnja 2017.

ROK MAŠINA - Izrod na granici (1983) Mini LP

ROK MAŠINA mini album from 1983.

ROK MAŠINA - Rok mašina (1981)

ROK MAŠINA was formed in 1980 by former "Pop Mašina" members Robert Nemeček (vocals and bass guitar) and brothers Zoran and Vidoja Božinović (guitars). Soon afterwards, a former member of the band "Pop Šou", Vladan Dokić (drums) joined the band. They had its first live appearance in 1980, in Zagreb, as a part of the event named "Pozdrav iz Beograda". Soon afterwards the band released the album "Rok Mašina" through Jugodisk record label. Later that year, Dragan Đorđević, a former member of "Generacija 5", replaced Dokić, but at the time of the great popularity of New Wave bands in former Yugoslavia, the future for the band was not very promising, and they disbanded in 1982, while recording their second studio album. (from wikipedia)

ponedjeljak, 22. svibnja 2017.

REX ILUSIVII - Disillusioned (1987)

Mitar "Suba" Subotić a.k.a REX ILUSIVII was a Serbian-born musician and composer who was set to become one of Brazil's most prominent producers when he died in November 1999. He was a pioneer of electronic music in all of the former Yugoslav countries, since he mixed and produced a number of celebrated albums of Yugoslav New Wave acts such as Ekatarina Velika, Haustor, Marina Perazić in the course of the 1980s. In 1986, his fusion of electronic music and Yugoslav folk lullabies, "In The Mooncage" was awarded the International Fund for Promotion of Culture from UNESCO, which included a three-month scholarship to research Afro-Brazilian rhythms in Brazil. Falling in love with the country and its music, he emigrated to Sao Paulo in the 1990s, where his fruitful production began and ended. During that time he participated Milan Mladenović's last project "Angel's Breath", and recorded his famous album "Sao Paulo Confessions." On November 2, 1999, he was working on the post-production of the album of his new-found diva, Bebel Gilberto, when his studio caught fire. Overcome by smoke, he died trying to rescue the newly recorded material with her. Suba died just a few days after the release of his now-legendary album "Sao Paulo Confessions", and shortly before the completion of Bebel Gilberto's acclaimed "Tanto Tempo", the biggest selling Brazilian album outside Brazil. (from wikipedia)


OGLEDALA - Sve se nastavlja (1984)

OGLEDALA were a rock band from Rijeka (Croatia) in former Yugoslavia. This is their only one album from 1984, wich was later remastered and re-released in 2008.

nedjelja, 21. svibnja 2017.

SCABIA - Demo snimci (1986-1989)

SCABIA was a rock band from Sarajevo (Bosnia and Herzegovina) in former Yugoslavia. This is their demo recordings from 1986-1989. (thanks to seyo)

PETAR I ZLI VUCI - Sve (1981-83)

These are all the songs that the band PETAR I ZLI VUCI made during their short career.

subota, 20. svibnja 2017.

PETAR I ZLI VUCI - Ogledalo (1981) Single

PETAR I ZLI VUCI were a former Yugoslav New wave/ska band from Beograd. During the late 1980s, former "Hipnotisano pile" vocalist Bojan Banović together with a former "Električni orgazam" guitarist Goran Sinadinović founded the band called Petar i Zli Vuci. The idea for the name came from Sinadinović and was inspired by the band-names from the 1960s. Soon after, vocalists Saša Lukić and Milan Popović, guitarist Vojin Jovanović "Voja", bassist Siniša Nojković and drummer Relja Obrenović joined the band. Most of the band members were high school friends from the Eleventh Beograd Gymnasium. The band got the public's attention by numerous club performances in Beograd and Zagreb. Ska style and unique live performances provided the band an opportunity to perform and win the Subotica Youth festival, in May 1981, with the song "Ogledalo". This song, with "Ubica" and "Na plaži" as the B-sides was released on single by Jugoton during the summer of 1981. The single, recorded at the "Druga maca" studio and produced by Enco Lesić, featured guest appearance by a former "The End Band" member Saša Stojanović "Sax" on saxophone. "Ogledalo", with the song "Kozaci", also appeared on the "Artistička radna akcija" various artists compilation, featuring the second generation of New Wave and punk rock bands from Beograd. After the compilation release, Saša Lukić, Milan Popović and Voja Jovanović left the band and Dragoljub Ljubičić "Mićko" (guitar, vocals) became the new band member. The new lineup recorded the single "Moroni" , released on the various artists compilation "Ventilator 202 Demo Top 10" by PGP-RTB in April 1983. The band split up during the same year. (from wikipedia)

MIRIS - Ne razumem klinke ove (1981) Single

MIRIS was a pop rock band from Beograd (Serbia) in former Yugoslavia. This is their only one single record published in 1981. (thanks to sveto)

petak, 19. svibnja 2017.

GRUPA INAT - Prva ljubav (1982) Single

GRUPA INAT was a rock band from Nova Topola (Serbia) in former Yugoslavia. This is their first single record from 1982. (thanks to sveto)

četvrtak, 18. svibnja 2017.

HOBO - Hobo (1975)

The band HOBO was formed by keyboardist Mato Došen in 1972, in Zageb, Croatia (ex-Yugoslavia). The line-up also included Saša Cavrić-bass, Josip Belamarić-el. violin, Boris Trubić-percussion, vocal and Mladen Garašić-drums. They appeared at Ljubljana BOOM Festival 1974 and played as a support group at Deep Purple concert in Zagreb 1975. The same year they recorded their only one, eponymous album. Due to lack of commercial success, Mato Došen soon disbanded the group, and went on to become a successful pop producer and composer. (by Sead S. Fetahagić)

ponedjeljak, 15. svibnja 2017.

RIBLJA ČORBA - Priča o Žiki Živcu (1984) Single

RIBLJA ČORBA fourth single record from 1984.

RIBLJA ČORBA - Mrtva priroda (1981)

RIBLJA ČORBA was officially formed on the August 15, 1978 in kafana "Šumatovac". The band was formed by former Rani Mraz member Bora Đorđević (vocals, acoustic guitar and songwriter) and former SOS members Miša Aleksić (bass guitar), Miroslav Milatović (drums) and Rajko Kojić (guitar). Their intention was to name the band Bora & Ratnici, but eventually, the band was named Riblja Čorba, which was at the time Belgrade slang for menstruation. Riblja Čorba had its first concert in Elemir on the September 8. In November, Radio Belgrade show "Veče uz radio" celebrated its birthday in Subotica sport hall. Riblja Čorba played only two songs and animated the audience. They won new fans at the fundraising concert in Sarajevo and BOOM festival in Novi Sad. On the December 22 they released their first single, "Lutka sa naslovne strane", a hard rock ballad about a fame-hungry model, which became an immediate hit on radio stations. At the time Đorđević decided to leave acoustic guitar and dedicate himself to singing. Soon Riblja Čorba got rhytm guitarist, Momčilo Bajagić, who became a member of the band on Kojić's suggestion. This lineup held its first concert on the January 7, 1979 in Jarkovac. On the February 28 they held a long promoted concert in Dom omladine, which was the band's first concert in Belgrade. While the band perdformed "Lutka sa naslovne strane" Đorđević broke a fashion doll. Minka Kamberović's ballerinas also took part in the concert. That evening Riblja Čorba played most of the songs that would be released on their first album. In the beginning of March the band held several concerts in Macedonia. On their concert in Dolovo Aleksić fell from the stage and broke his leg, so until the end of the tour he was replaced by Aleksandar Cvetković. On March 19 they released their second single with songs "Rock'n'Roll za kućni savet" and "Valentino iz restorana". Marina Tucaković wrote part of "Valentino iz restorana" lyrics, which was the only time in Riblja Čorba career that the writer of the lyrics was someone outside the band. Riblja Čorba spent the summer in Makarska, where they practiced for the coming debut album promotin. The concert was held on September 1 in Tašmajdan. Although the album was released ten days after the concert, Tašmajdan was sold out. Bulevar, Formula 4 and Meri Cakić's antiballet group Ribetine also performed at the concert. Meri Cakić, who appeared on the concert wearing garter belts, has, by some, inspired Đorđević to write "Lutka sa naslovne strane". On this concert Đorđević got his concert nickname Bora Majstor. Several days later Đorđević went to Doboj and Kojić went to Sarajevo, due to their army obligations. On November 28, the band, without Đorđević and Kojić performed at the marathon concert in Sarajevo. Riblja Čorba's debut album, "Kost u grlu" was soon released. Album was met with a great thrill. It brought a large number of hits: "Zvezda potkrovlja i suterena", "Egoista", "Ja sam još ona ista budala", "Ostani đubre do kraja". The album was sold in more than 120,000 copies, Đorđević was proclaimed the rock musician of the year by some music magazines, and Riblja Čorba's hard rock sound with blues inputs achieved high success, although the age of New Wave was about to begin. At the end of the July 1980 Đorđević appeared in Belgrade to record "Nazad u veliki prljavi grad" with Bajagić, Milatović and Kojić. On December 31 and January 1, 1981 Riblja Čorba held two concerts with Atomsko Sklonište. Concerts were held in Pionir Hall in Belgrade and were advertised as "Atomska Čorba". In February 1981 Riblja Čorba released its second album "Pokvarena mašta i prljave strasti". Album brought a whole serie of hits: "Ostaću slobodan", "Lak muškarac", ballads "Neke su žene pratile vojnike", "Nemoj srećo, nemoj danas", "Dva dinara druže", "Rekla je". Riblja Čorba promoted album on their Yugoslav tour. After their return to Belgrade, they held a concert in Kalemegdan's Rockoteka. Band's special guest was Ian Gillan Band's bass guitarist John McCoy. In the summer band recorded its third album "Mrtva priroda" with McCoy as the producer. "Mrtva priroda" brought Riblja Čorba's first political song, "Na zapadu ništa novo". Album was sold in more than 450,000 copies. (from wikipedia)


nedjelja, 14. svibnja 2017.

RIBLJA ČORBA - Priča o ljubavi obično ugnjavi (1988)

"Priča o ljubavi obično ugnjavi" is the ninth studio album by RIBLJA ČORBA. With the release of the album, the band celebrated ten years of existence. The songs generally did not deal with politics (for what Riblja Čorba was well-known). The songs "Avionu slomiću ti krila", "Kaži, ko te ljubi dok sam ja na straži" (which featured a quote from Pro Arte's 1972 song "Tko te ljubi dok sam ja na straži"), and "Još jedna cigareta pre spavanja" were the album's biggest hits. (from wikipedia)

RIBLJA ČORBA - Ujed za dušu (1987)

"Ujed za dušu" is the eighth studio album by RIBLJA ČORBA. Except song "Član mafije", which had elements of the Caribbean music and criticized League of Communists of Yugoslavia, album did not feature any other song with political-related lyrics, which was Riblja Čorba's trademark. The album hits included Riblja Čorba's first cover "Zadnji voz za Čačak" (cover of The Monkees' "Last Train to Clarksville"), an all-time hit "Kad padne noć (Upomoć)" and ballad "Da, to sam ja". (from wikipedia)


subota, 13. svibnja 2017.

RIBLJA ČORBA - Osmi nervni slom (1985)

"Osmi nervni slom" is the seventh studio album by RIBLJA ČORBA. The album produced by Kornelije Kovač, who also played keyboards on the album. The song "Amsterdam" featured Eddy Grant on vocals. The ballad "Prokleto sam" featured actress Ana Kostovska on backing vocals. "Jedan čovek" featured Jova Maljoković on saxophone. (from wikipedia)

RIBLJA ČORBA - Istina (1985)

"Istina" is the sixth studio album by RIBLJA ČORBA. The album is considered by fans and critics alike to be one of Riblja Čorba's finest works, as well as the band's triumphant comeback after the unsuccessful album "Večeras vas zabavljaju muzičari koji piju". "Istina" is also significant as the band's first album recorded with guitarists Vidoja Božinović and Nikola Čuturilo, the two joining the band after the departure of Rajko Kojić and Momčilo Bajagić. The album was recorded during the winter 1984–1985. It was recorded by Goran Vejvoda and produced by John McCoy. After Riblja Čorba's record label Jugoton refused to release the songs "Snage opozicije", "Pogledaj dom svoj, anđele", "Alo", and "Dvorska budala" because of the provocative political-related lyrics, the band signed back with Jugoton's main competitor PGP-RTB. Nevertheless, the song "Snage opozicije" was not released on the album, and it only saw the light of day some thirteen years later on the 1997 compilation album "Treći srpski ustanak". The track "Disko mišić" featured Goran Bregović, leader of Riblja Čorba's biggest rivals at the time, Bijelo Dugme, on vocals (Đorđević previously made a guest appearance on Bijelo Dugme's 1984 self-titled album, singing with Bregović in the song "Pediculis Pubis"). (from wikipedia)

petak, 12. svibnja 2017.

RIBLJA ČORBA - Buvlja pijaca (1982)

"Buvlja pijaca" is the fourth studio album by RIBLJA ČORBA. The album produced by John McCoy. It featured a softer sound than previous Riblja Čorba releases, as some of the songs featured string and brass instruments and had elements of acoustic rock. (from wikipedia)

RIBLJA ČORBA - U ime naroda (1982)

"U ime naroda" is the first live album by RIBLJA ČORBA. The album was recorded on the band's concert held on April 11, 1982 in Pionir Hall in Beograd. The album title innuends to the censorship the band's leader Bora Đorđević fought at the time of album release. (from wikipedia)

četvrtak, 11. svibnja 2017.

RIBLJA ČORBA - Večeras vas zabavljaju muzičari koji piju (1984)

"Večeras vas zabavljaju muzičari koji piju" is the fifth studio album from influential Serbian and former Yugoslav rock band RIBLJA ČORBA. As Riblja Čorba's record label PGP RTB did not want to finance recording in London, the band moved to Jugoton. Immediately after the album was released, state's censors declared songs "Mangupi vam kvare dete" and "Besni psi" ethicaly unacceptable. "Besni psi" caused an international scandal. Beacuse of the lyrics "Grčki sverceri, arapski studenti, negativni elementi, maloletni delikventi i besni psi", the embassies of three Arabian countries and Zaire protested, complaining that songwriter Bora Đorđević had equated foreign students and mad dogs. The Yugoslav Ministry of culture ordered an analysis of the song by the experts. With dark, depresive atmosphere, album was not as nearly successful as Riblja Čorba's previous albums bringing only one hit, Momčilo Bajagić's gentle ballad "Kad hodaš". (from


RIBLJA ČORBA - Nazad u veliki prljavi grad (1980) Single

RIBLJA ČORBA third single record from 1980.