GUSTAPH Y NJEGOVI DOBRI DUHOVI first album published in 1983.
subota, 24. veljače 2018.
petak, 23. veljače 2018.
GUSTAPH Y NJEGOVI DOBRI DUHOVI were the band of the early Pula (Croatia) underground scene. They played a sophisticated New Wave style reminding the most rhytmical and alternative moments of Talking Heads. With the specific vocal of Edi Maružin, the band released only one album "V", produced by Milan Mladenovic (ex-Šarlo Akrobata, ex-Ekatarina Velika).The band, after the split-up, played for a while as Espirito Pampa, and then started the great Tex-Mex Rock band GUSTAFI, one of the leading croatian live acts. (pularockcity.blogspot.com)
SAMONIKLI was formed in 1963, in Beograd, Serbia (ex-Yugoslavia) by four high school students. The band was named after a book of short stories by Slovenian writer Prežihov Voranc. Group members changed frequently in that early period, but by 1964 they stabilized in the following lineup: Marin Pečjak (vocals), Milan Pavlov (guitar), Marko Novaković (bass guitar), Bojan Drndić (rhythm guitar) and Vukašin Veljković (drums). Initially the band performed at school proms and college dance parties. The band covered rock hits, as well as traditional songs and 1930s and 1940s schlagers, while their own songs were mostly The Shadows-inspired instrumentals. In 1965 and 1966 they played regularly at dances at the Beograd University School of Technology and soon became widely popular. In 1966 they won first place at a country-wide Youth Festival of rock bands, which entitled them to represent their country at an international festival of youth orchestras in Hungary, which featured the best Eastern European groups of that time (Illés, Metró, Omega, etc.), where they were viewed as a "western" group. The April 1966 issue of Beograd youth magazine "Susret" wrote that Samonikli were the first "electric guitar band" in Beograd to work with a group of violinists, preparing their subsequent two recordings ("Dozvoljavate li gospodine" and "Povetarac i ja", the latter of which became one of the top hits of 1966 on a popular Radio Beograd II music program called "Muzički automat"). At the end of 1966 they were joined by the drummer Branislav Grujić. They were featured in a very popular series of shows on Beograd Television called "Koncert za ludi mladi svet". Their recordings were featured in many popular radio programs, including "Nedeljom u devet i pet", produced and hosted by Nikola Karaklajić. Toward the end of their career in 1967 and 1968, they covered many hits by The Jimi Hendrix Experience. They broke up in early 1969 to pursue other professional interests. (from wikipedia)
četvrtak, 22. veljače 2018.
srijeda, 21. veljače 2018.
ĐORĐE BALAŠEVIĆ (born May 11, 1953 in Novi Sad, Vojvodina, Serbia, then Yugoslavia) is a prominent Serbian singer-songwriter. Balašević started his career in the 1977 as the member of the pop rock band Žetva, before leaving to form the pop rock band Rani Mraz. After releasing two albums, Rani Mraz disbanded, and Balašević started a successful solo career, spanning up to the present. While initially performing pop rock, in his later career he often used elements of rock, chanson and folk music, while his lyrics often dealt with humorous or political- and social-related themes. He started writing poetry in primary school. He left high school in the third year (because, in his words, he hated subjects like mathematics, physics and chemistry) but managed to get a high school diploma as part-time student and passed the preliminary exam for the university study of geography. He never graduated from the university, but instead joined the band Žetva in 1977. After Balašević joined the group, Žetva recorded a tango hit single "U razdeljak te ljubim", which was sold in more than 180,000 copies, a huge success by Yugoslav standards. In 1978 he left Žetva and together with Verica Todorović formed a band Rani Mraz. The band had its début at the music festival "Opatija '78" with the song "Moja prva ljubav". The band had numerous lineup changes. The same year former Suncokret members Biljana Krstić and Bora Đorđević joined the band, and together they recorded "Računajte na nas" (written by Balašević), a song celebrating the young generation's adoption of the communist revolution. The song became popular with both the communist authorities and the people, becoming an anthem of the Yugoslav youth. After just few months of cooperation, Verica Todorović and Bora Đorđević left the band (Đorđević forming his famous hard rock band Riblja Čorba), so Biljana Krstić and Balašević recorded Rani Mraz's first album "Mojoj mami umesto maturske slike u izlogu" on their own. At the "Split '79" Music festival Balašević won the first prize with the single "Panonski mornar". A few months later Rani Mraz sold out Belgrade's Dom Sindikata Hall eight times in a row. In 1980 Balašević served in the Yugoslav People's Army in Zagreb and Požarevac where he had a role in the TV show "Vojnici", but also found time to write song "Zbog tebe" for Zdravko Čolić and lyrics for several songs recorded on Srebrna Krila album "Sreo sam ljubav iz prve pjesme". By the end of 1980 Rani Mraz released their second and final album with a symbolic title "Odlazi cirkus" and the band officially dissolved shortly afterwards. The album reaffirmed Balašević's status and delivered several hit songs, one of them being "Priča o Vasi Ladačkom" which went on to become one of Balašević's signature songs. He started his solo career in 1982 with the album "Pub" which was well received. Shortly after he had a role in the TV series "Pop Ćira i pop Spira" recorded after Stevan Sremac's novel of the same title. During the following 1982/1983 tour he sold out Belgrade's Sava Center hall for the first time. His Sava Center concerts would become his trademark in years to follow. The next two albums "Celovečernji the Kid", released in 1983 and "003", released in 1985 followed the same path of success and Balašević established himself as respectable singer-songwriter. The next album, "Bezdan", released in 1986, was a milestone in Balašević's career. The record was produced by Đorđe Petrović and arrangement was done by Aleksandar Dujin. Those two would be the key associates of Balašević for the next 20 years and substantially influence his work. They became the backbone of Balašević's supporting band The Unfuckables and a part of his stage appearance. The next album was his first live album "U tvojim molitvama - Balade". The album was recorded during his concerts in Zetra hall in Sarajevo, Ledena dvorana and Šalata in Zagreb, Sava Centar in Beograd and Studio M in Novi Sad in 1986 and 1987. Apart from his well-known previous songs, the album featured a previously unrecorded track "Samo da rata ne bude". The song features a large children's choir which, together with lyrics warning about the war (which indeed will start three years later), delivers a hymn of pacifists throughout, then still existing, SFR Yugoslavia. The same sensation of imminent disaster predominates his next album "Panta Rei" released in 1988. The song "Requiem" was dedicated to late Josip Broz Tito, while satire "Soliter" caricatures Yugoslavia as a high-rise in which only facade still holds while foundations slide. The guitarist Elvis Stanić took part in recording of the album "Tri posleratna druga" in 1989, and the violin and saxophone player Josip "Kiki" Kovač joined The Unfuckables on the album "Marim ja..." released in 1991. As the Yugoslav wars began, Balašević withdrew to isolation. He was forced to stop collaborating with Croatian artists such as Elvis Stanić and his tempo of one album per year was disrupted. His next album "Jedan od onih života" released in 1993 featured songs such as "Krivi smo mi" and "Čovek sa mesecom u očima" which heavily criticised and denounced the ongoing war. After a long pause, he issued "Na posletku" in 1996. The change in sentiment was obvious: "Na posletku" was mostly folk rock-oriented. Nearly all instruments on this album are acoustic, the violin becomes dominant and woodwind instruments are heavily used. During the 1990s Balašević engaged in broad criticism of the current political situation in Serbia, Slobodan Milošević and Socialist Party of Serbia. "Devedesete", released in 2000, was his most politically involved album. Balašević openly made fun of Milošević with the song "Legenda o Gedi Gluperdi", criticized police officers who defended the corrupt system by confronting demonstrating youth in "Plava balada", looked back to the 1990s with disgust in the title song "Devedesete", supplied young demonstrators with an anthem "Živeti slobodno", reaching out to his lost friends in Croatia and Bosnia with "Sevdalinka", but still preserving patriotism with "Dok gori nebo nad Novim Sadom", a song about the 1999 NATO bombing of Novi Sad. This album clearly marked the atmosphere in Serbia in the year when Slobodan Milošević lost power. After this open engagement in politics, he returned to romance. The album "Dnevnik starog momka" released in 2001 comprises 12 songs, each having a female name as its title, and each addressing a different girl. Balašević repeatedly stated that the girls and songs are pure fiction, and the song titles form the acrostic "Olja je najbolja", Olja being the nickname of his wife Olivera Balašević. His latest album "Rani mraz" released in 2004 follows the folk rock style developed on "Na posletku". The album's subtitle was "Priča o Vasi Ladačkom.../Muzika iz nesnimljenog filma" referring to Rani Mraz 1980 ballad "Priča o Vasi Ladačkom" which went on to become one of Balašević's signature pieces, and to the film which should have been based on the song and filmed by Balašević and actor and film director Ljubiša Samardžić. (from wikipedia)
ponedjeljak, 19. veljače 2018.
subota, 17. veljače 2018.
petak, 16. veljače 2018.
"Celovečernji the Kid" is the second studio album released by ĐORĐE BALAŠEVIĆ. Album is perhaps best remembered for the songs "Blues mutne vode", "Lunjo", and ballads "Neko to od gore vidi sve" and "Svirajte mi jesen stiže, dunjo moja".
četvrtak, 15. veljače 2018.
utorak, 13. veljače 2018.
TAKO was formed in 1974, in Beograd, Serbia (ex-Yugoslavia) by Dušan "Dule" Ćućuz (bass guitar, vocals), Đorđe Ilijin (keyboards, harmonica, flute, harp, vocals), Sava Bojić (guitar, vocals) and Milan "Mića Žorž" Lolić (drums). Previously, Dušan Ćućuz was a member of Džentlmeni and Plameni 6, he was one of the original Opus members and in the first half of the 1970s he worked as YU grupa's sound engineer, Sava Bojić was one of the original Pop Mašina members, and Đorđe Ilijin worked as a music teacher and often appeared as a guest musician on other bands' album recordings. During 1975 they made their first demo recordings, the songs "Čujem svoje misli", "Daždevnjak", "Lena" and "Čudan grad", in Radio Beograd studios. In 1977 guitarist and singer Miroslav Dukić and drummer Slobodan Felekatović replaced Bojić and Lolić and the band took part in Bijelo Dugme's concert at Hajdučka česma. In November 1977 Tako and progressive/acoustic rock band "S vremena na vreme" organized a quadraphonic sound concert in Belgrade Youth Center. The band also had a successful appearance at the 1978 Novi Sad BOOM festival. After they were refused as "non-commercial" by several major record labels, they signed for ZKP RTLJ after their performance at the Youth Festival in Subotica. The band released their debut self-titled album in 1978. The album featured symphonic rock-oriented songs with jazz elements. The song "Lena" featured Asim Sarvan on vocals. The song "Minijatura" was a tribute to the band Jethro Tull. The band promoted the album with a free concert held at Kalemegdan. After another quadraphonic sound concert organized with "S vremena na vreme" in Belgrade Youth Center, Tako went on hiatus in 1979 because Đorđe Ilijin got arthritis and Miroslav Dukić left the band. A year later the band continued their activity. Their second album, "U vreći za spavanje", was released in September 1980. Every song on the album was produced by the member of the band who wrote it. The band went on a tour, however, due to the departure of Slobodan Felekatović, who left the band due to his army obligations, and due to the great popularity of New Wave bands, Tako disbanded. They held their farewell concert at the University of Belgrade Faculty of Philosophy at the beginning of 1981. (from progarchives.com)