"Goran Bregović" is a self-titled album by Bijelo dugme's frontman GORAN BREGOVIĆ, released in 1976 in-between the band's second album "Šta bi dao da si na mom mjestu" and third album "Eto! Baš hoću!". Although the title and sleeve announce it as a solo Goran Bregović record, album is actually a conceptual smorgasbord of different new and recycled material. It consists of five Goran Bregović-composed songs that were never previously released or recorded. They were recorded specifically for this album with Zdenka Kovačiček, Bisera Veletanlić, Jadranka Stojaković, and Milić Vukašinović on vocal. Two already released Bijelo dugme songs (arranged in a slightly different manner this time and re-recorded with Jadranka Stojaković, and Zdravko Čolić on vocals, respectively, instead of the band's singer at the time Željko Bebek), four Bebek-sung tracks, recorded 4 years earlier in 1972 during Bijelo dugme's previous incarnation as "Jutro". Two of those tracks were already released in 1973 on Jutro's single and the other two were being heard by the wider public for the first time on this album. (from wikipedia)
subota, 30. ožujka 2013.
petak, 29. ožujka 2013.
BOA is a Croatian art/rock group, which was especially prominent during the 1980s around the former SFR Yugoslavia. The band's early history started in Zagreb, then SR Croatia in 1974, when its founding members Mladen Puljiz and Slavko Remenarić, switched their interest from classical music to rock music, inspired by art-rock acts such as Yes, King Crimson, Genesis, David Bowie, Roxy Music and Peter Gabriel. The group started its concert activity in 1979 with a line-up consisted of Mladen Puljiz (keyboards, vocals), Slavko Remenarić (guitar), Igor Šoštarić (drums) and Damir Košpić (bass guitar). The band moved towards the then actual New Romantic sound and fashion and after the release of their debut album for Suzy in 1981, they were voted by the readers of the prominent Yugoslav musical magazine Džuboks as the best upcoming act of the year. Their next album "Ritam strasti" followed by around hundred concerts around former Yugoslavia brought them even higher popularity. Despite the fact that their next album "Govor tijela" included some successful hits, the band fell into creative crisis and thus the group halted its activities until 1989 when the group got a new rhythm section consisted of the drummer Paolo Sfeci (former member of Aerodrom and Parni valjak) and the bass player Zvonimir Bučević (prominent session musician). In 1990 the band released the album "Prvi val, and performed as a support act of David Bowie's concert at Maksimir stadium in Zagreb in front of over 50000 people. Two years after, they released the compilation album "81-92" featuring live performances and studio recordings with new arrangements. The CD also included the song "Zemlja", which was recorded in 1991 for the "Rock za Hrvatsku" music project tributed to the Croatian War of Independence. In 1993, a new member of the group is the keyboard player Gojko Tomljanović. In the next year they release the CD "Kraj djetinjstva" featuring guest appearances by prominent artists such as Josipa Lisac, Dino Dvornik and Vanna. The feature song "Kao mir", a duet with Jospia Lisac was nominated in two categories for the prestigious Croatian music award "Porin". In 2002 Croatia Records released the integral versions of the two first albums on CD, which was awarded with "Porin" in the re-release of the year category. Following this success, the band also released a compilation featuring songs from their third and fourth album in 2004 under the title "Kao nekad". All of the songs were remastered and in some of them the authors modified the arrangements. The CD also contains bonus tracks such as "Boa Constrictor", an experimental instrumental, which includes sound effect that Puljiz i Remenarić recorded back in 1974 on their old Grundig 2-track open-reel tape recorder. The group is still active. (from wikipedia)
četvrtak, 28. ožujka 2013.
utorak, 26. ožujka 2013.
nedjelja, 24. ožujka 2013.
BAJAGA & INSTRUKTORI are a highly popular rock band from Serbia (ex-Yugoslavia). The group was founded in Belgrade in 1984 by composer, lyricist and guitarist Momčilo Bajagić Bajaga, and continue to record music today. The group possesses a rich discography and a plethora of hit songs that place them at the very top of the all-time former Yugoslav rock scene, alongside other mega-selling bands such as Bijelo Dugme and Riblja Čorba. This is their third album from 1986. (from wikipedia)
subota, 23. ožujka 2013.
ponedjeljak, 18. ožujka 2013.
The original members of KERBER were Goran Šepa "Gale" (vocals), Tomislav Nikolić (guitar), Branislav "Bane" Božinović (keyboard), Zoran Stamenković (drums) and Zoran Madić (bass). In 1981, formerly known as Top, the band changed its name to Kerber. In November 1981 Kerber had its first official concert in "Muzički klub" in Niš. During 1982 the band had numerous concerts in Niš and Serbia, while working on the material for their first album. In early spring of 1982, Madić left the band due to his army obligations. He was replaced by Zoran "Sosa" Žikić who had an attractive on-stage performance: he played an axe-shaped guitar and performed fire breathing. In May 1983, Kerber won the first place at "Omladinski Festival" in Subotica with the song "Mezimac". In July 1983, Kerber recorded their debut LP "Nebo je malo za sve", mixed in Strawberry studio in Manchester, with Nightwing's bass guitarist Gordon Rowley as the producer. Malcolm Davies, who used to work with The Beatles on the Abbey Road album, also worked with Kerber during "Nebo je malo za sve" recording. In December 1983 Kerber was an opening band on Uriah Heep, Ten Years After and Nightwing concerts in Yugoslavia. At about the same time, Kerber's "Nebo je malo za sve" was released, bringing hits "Mezimac", "Nebo je malo za sve" and "Heroji od staniola". The album was released by ZKP RTLJ and immediately became successful, with 10,000 copies sold during the first week. In January 1984, during the tour through Macedonia, first Žikić, and then Stamenković contracted infectious hepatitis, so in March, during the Kerber's performance at the music festival in Opatija, Stamenković was temporarily replaced by Generacija 5 drummer Boban Đorđević and Madić briefly re-entered the bass player's post for this occasion. Despite the good performance, Kerber did not fit well in the pop format of the Opatija festival with their hard rock sound. After returning to Kerber, Žikić continued with his on-stage performance. On May 19, 1984, during the band's open air concert in Novi Sad, he got second-degree burns while attempting to breathe fire under windy conditions. He continued the concert despite doctor's advice, and later on continued the tour with bandages on his face. After this accident other members forbade Žikić to continue performing the fire-breathing act. In June 1984 Kerber was an opening act for Nightwing concerts in Yugoslavia. In August drummer Zoran Stamenković returned to the band for the summer performances in Greece. In December 1984 Kerber traveled to England to record their second album, "Ratne igre". The album was recorded in Saughall, and the producer was once again Gordon Rowley from Nightwing. During their staying in England, Kerber performed in Liverpool and Chester. An English language version of "Mezimac" entitled "Get Me Out" was recorded on their concert in Liverpool and included on the album. In May 1985, only a week after "Ratne igre" was released, Stamenković went to serve the army and Boban Đorđević replaced him once again. In May 1985 Kerber performed on "Marakana" at a concert which was a part of YU Rock Misija. In October of the same year, drummer Boban Đorđević was replaced by former Mama Co Co, YU grupa and Leb i Sol member Dragoljub Đuričić. In November Kerber was awarded with "Smeli cvet", an award which was given by League of Communist Youth of Serbia for contribution to rock music. In July 1986 keyboardist Bane Božinović was replaced by Milorad Džmerković, former member of Slomljena Stakla and Peđa D'Boy band. In 1986 Kerber recorded their third studio album, "Seobe", which was produced by Kornelije Kovač. "Seobe" included numerous hits: "Hajde da se volimo", "Čovek od meda" (which featured Riblja Čorba frontman Bora Đorđević on vocals), ballads "Kad ljubav izda" (which featured a quotation from Pero Zubac's poem "Mostarske kiše") "Još samo ovu noć mi daj", power ballad "Bolje da sam druge ljubio and the haunting ballad "Seobe". Following the success of "Seobe" Kerber performed more than 200 concerts across Yugoslavia. In 1988 the band released album "Ljudi i bogovi", produced by Đorđe Petrović. Major hits were "Svet se brzo okreće", "Od srca daleko" and ballad "Na raskršću". In the summer of the same year, Žikić left the band, and was replaced by former Bulevar, Suncokret and Idoli member Branko Isaković. On December 12, Kerber recorded their first live labum "121288". The album was not well received and after its release the band members made a two-year break. At the end of 1990, the band released their fifth studio album "Peta strana sveta", which was produced by Saša Habić. For a retrospective evening of Belgrade Spring Festival, Kerber recorded a cover of Zdravko Čolić's song "April u Beogradu". After this event, the band made a long break in their work, during which they recorded music for the theatre play "Blues smile". At the beginning of 1996 band released "Zapis". The album introduced new members: Saša Vasković (bass guitar), Josip Hartl (drums), Vladan Stanojević (acoustic guitar), and Goran Đorđević (percussion). In January 1996 they held an unplugged concert in Studio M in Novi Sad. The recording of this concert was released on the album "Unplugged". In 1998 the band released two compilation albums: "Antologija 1983–1998 I" and "Antologija 1983–1998 II" with the detailed overview of their work. In 1998 Kerber celebrated their 15th anniversary with a concert held in Niš fortress. The song "Sveti Nikola" was recorded and soon found its way to radio stations, but the recording of the album was postponed. In 1999 Kerber performed as an opening band on Ronnie James Dio concert in Sofia and soon after went on hiatus. During the 2000s Kerber, although officially still active, performed occasionally only. On February 9, 2006, the band reunited for the first time after twenty-three years in its original lineup to perform in the building of Serbian National Theatre in Novi Sad. In 2009 PGP-RTS released the Kerber box set entitled "Sabrana dela". The box set features all six Kerber studio albums on CDs and the song "Sveti Nikola" on the seventh disc. In July 2010 the band announced the release of their new studio album during the year. (from wikipedia)
In December 1984, KERBER traveled to England to record their second album, "Ratne igre". The album was recorded in Saughall, and the producer was once again Gordon Rowley from Nightwing. During their staying in England, Kerber performed in Liverpool and Chester. An English language version of "Mezimac" entitled "Get Me Out" was recorded on their concert in Liverpool and included on the album. (from wikipedia)
nedjelja, 17. ožujka 2013.
subota, 16. ožujka 2013.
SPIN was a rock band from Osijek (Croatia), active in 80's. They recorded only a few demo songs. Members were Aleksandar Vojvodić (vocal & guitar), Zoran Pernarčić (bass & vocal), Davor Bogdanović (drums), Krešimir Stazić (keyboards) and Tihomir Babić (guitar & vocal). (thanks to ProfJakov)
petak, 15. ožujka 2013.
ENOLA GAY was a rock band from Osijek (Croatia), active in 80's. They recorded only a few demo songs. Members were Miodrag Babić (guitar), Damir Antičević (bass), Željko Knežević (drums), Miroslav Sauerborn (guitar & vocal) and Ivana Šojat (vocal).
srijeda, 13. ožujka 2013.
utorak, 12. ožujka 2013.
ponedjeljak, 11. ožujka 2013.
VLADO KRESLIN is a Slovenian singer/song-writer. He began as a singer in rock group "Martin Krpan", gradually breaking through to the foreground also as the author of numerous songs. At the same time, he was beginning to go back to his own roots and draw upon the creative energy of the musical heritage of Prekmurje, the Slovene region which is his homeland. Through his appearances with "Beltinška Banda" - a group of Prekmurje folk singers and musicians in their seventies and eighties (the oldest member, the double bass player Joužek was born in 1905) - Kreslin enriched his repertoire with folk-songs of the region. In the meantime Vlado Kreslin has brought together a number of younger musicians into the group "Mali bogovi" , and with them plays his compositions in more mainstream rock arrangements with the touch of the flatlands of Prekmurje. Often members of "Mali bogovi" join "Beltinška banda" on stage, and in this way music continues to bridge generations, both for those on stage and those in the audience. This is his compilation album from 1987. (from wikipedia)
nedjelja, 10. ožujka 2013.
subota, 9. ožujka 2013.
JOSIP BOČEK best known as a member of Dinamiti and Korni Grupa and one of the guitar heroes of the former Yugoslavia. Along with Radomir Mihajlović-Točak, Vedran Božić and Goran Bregović went on a tour in a former state, and a musical testimony of the recording is released under the name "Kongres rock majstora." After the dissolution of Korni Grupa, he most worked as a studio musician.
petak, 8. ožujka 2013.
STARE KOSTI was a rock band from Osijek (Croatia), active in 80's. They recorded only several demo songs. Members were Zoran Grozdanić, Tomislav Miklić, Petar Krstanović, Ivica Kirhofer and Miroslav Milinović.
četvrtak, 7. ožujka 2013.
srijeda, 6. ožujka 2013.
TERMITI were a new wave rock band from Rijeka, Croatia (ex-Yugoslavia). They founded in 1978. Their music, sung in mother tongue, had the quirk of an organ sounding keyboard and complex and unusual leading melodies, backed to the usual New Wave rock ensemble of images. They split up in 1983.
ponedjeljak, 4. ožujka 2013.
GUSTAPH Y NJEGOVI DOBRI DUHOVI were the band of the early Pula (Croatia) underground scene. They played a sophisticated New Wave style reminding the most rhytmical and alternative moments of Talking Heads. With the specific vocal of Edi Maružin, the band released only one album "V", produced by Milan Mladenovic (ex-Šarlo Akrobata, ex-Ekatarina Velika).The band, after the split-up, played for a while as Espirito Pampa, and then started the great Tex-Mex Rock band GUSTAFI, one of the leading croatian live acts. (pularockcity.blogspot.com)
subota, 2. ožujka 2013.
POP MAŠINA was formed in Beograd, in 1972 by Robert Nemeček (bass guitar, vocals), Zoran Božinović (guitar, vocals), Ratislav Đelmaš (drums), and Sava Bojić (guitar, vocals). Sava Bojić soon left the band, and during the same year Ratislav Đelmaš left Pop Mašina and joined YU grupa. He was replaced by Mihajlo "Bata" Popović. Pop Mašina was one of the first bands on the former Yugoslav rock scene that moved from the 1960s rhythm and blues towards harder sound. They often organized free concerts, and in 1972 they organized a big free, open air concert at Hajdučka česma. The concert also featured bands "S vremena na vreme", "Porodična manufaktura crnog hleba", and others. In May 1973 they organized another free concert at Hajdučka česma, which featured bands "Jutro", "Grupa 220", "Med", "Vlada i Bajka", and others. In 1973 the band released their debut album "Kiselina". The album featured hard rock sound, but also featured psychedelic and acid rock elements. The album also featured several acoustic songs composed by Nemeček. "Kiselina" featured Sloba Marković on keyboards, and three songs featured Miša Aleksić (at the time member of SOS). The album also featured "S vremena na vreme" members Ljuba Ninković and Vojislav Đukić, Drago Mlinarec, and DAG members on backing vocals. After "Kiselina" was released Pop Mašina held a large number of concerts. These concerts were organized with the help of (at the time) journalism student Aleksandar Tijanić, and other Yugoslav progressive rock bands were often invited to perform. Pop Mašina had an attractive live appearance: Božinović was one of the first former Yugoslav guitarists that played long guitar solos, played guitar with a bow and behind his back. At the beginning of 1975, in Akademik Studio in Ljubljana, the band recorded their second studio album "Na izvoru svetlosti". The album was produced by Ivo Umek and Robert Nemeček. It featured Ljuba Ninković and Sloba Marković as guest musicians. The album featured live blues track "Negde daleko" recorded on a concert in Belgrade Sports Hall on January 2, 1974, and the song "Rekvijem za prijatelja", with lyrics written by Ljuba Ninković, dedicated to Predrag Jovičić, the former singer of the band "San", who died from an electric shock on a concert. The album also featured a new version of the song "Zemlja svetlosti", previously released on a 7" single. After the album release the band was joined by the keyboardist Oliver Mandić. However, he left the band after only several performances. In 1976 the band released the live album "Put ka Suncu", becoming the first former Yugoslav band to release a live album. At the end of 1976 Robert Nemeček left the band due to his army obligations, and the bass guitarist Dušan Petrović, the drummer Dušan Đukić, and the guitarist Vidoja "Džindžer" Božinović (Zoran Božinović's brother) joined the band. After he returned from the army, Nemeček moved to London, where he started working in the music instruments company Toma & Co. From London he also wrote for Yugoslav magazines RTV revija and YU video. The new Pop Mašina lineup moved towards jazz rock. The band recorded the single with the songs "Moja pesma" and "Uspomena". In 1977, Petrović left the band and joined Generacija 5, and was replaced by Miroslav "Cvele" Cvetković. This lineup announced the recording of the new album. However, in 1978, Pop Mašina disbanded. (from wikipedia)