utorak, 19. studenoga 2024.

VOKINS - Alibaba (1974) Single

 

 























VOKINS was a pop rock band from Sarajevo (Bosnia and Herzegovina). They published only one single record in 1974.

ponedjeljak, 18. studenoga 2024.

OKTOGON - Nešto se ruši oko nas (1989)

 

 























OKTOGON was a rock band from Zagreb (Croatia), active in the late of 80's. This is their only album from 1989.

nedjelja, 17. studenoga 2024.

DRAGOLJUBOV TAXI - Dragoljubov Taxi (1979)

 

 























Dragoljub Crnčević is a Serbian blues guitarist and singer from Beograd, leader of DRAGOLJUBOV TAXI, 'Point Blank' and 'Blue Taxi'. Under alias "Baki", Dragoljub released solo album "Into The Heart" in 1987. This is his first album from 1979.

četvrtak, 14. studenoga 2024.

ELIPSE - Le Telephone (1965-1969)

 

 























ELIPSE started in 1963 in Beograd, Serbia (ex-Yugoslavia). In the beginning they played covers of The Shadows and became very popular in the mid 60's. After Edi Dekeng joined the band as singer in 1967, they changed music orientation to r'n'b/soul. The group was disbanded by the end of 1968. Members were Momčilo Radovanović, Bojan Hreljac, Vladimir Furduj, Zoran Simjanović, Edi Dekeng, Nikola Zembić and Dragan Kuprijanov. (from discogs.com)


ELIPSE - Elipse (1963-1965)

 

 























ELIPSE some recordings from 1963-1965.

srijeda, 13. studenoga 2024.

SEID MEMIĆ-VAJTA - Zlatna ribica (1979)

 

 























SEID MEMIĆ, known by his stage name VAJTA, is a Bosnian singer. From 1975 to 1976 Vajta was a vocalist for the rock band Teška industrija, who enjoyed great commercial success throughout the Balkan countries but later dissolved. This is his first solo album from 1979. (from wikipedia)

petak, 8. studenoga 2024.

TEŠKA INDUSTRIJA - Život je maskenbal (1976) Single

 

 























TEŠKA INDUSTRIJA fourth single record from 1976.

TEŠKA INDUSTRIJA - Ho-ruk (1976)

 

 























TEŠKA INDUSTRIJA was formed 1974 in Sarajevo, now Bosnia and Herzegovina, by keyboard player Gabor Lenđel. Original line-up also included guitar player Vedad Hadžiabdić, bassist Ivica Propadalo, drummer Senad Begović and singer Fadil Toskić. Poet Duško Trifunovic wrote most of the lyrics throughout their career. Seid Memić Vajta soon replaced Toskić as lead vocalist, while Sanin Karić replaced Propadalo on bass. This line-up was to gain most celebrity and they recorded several successful singles and the first album "Ho-ruk" in early 1976. The band developed a sort of "progressive hard rock" with elements of then popular traditional folk themes and "symphonic" arrangements. Lenđel's organ and Vajta's raspy baritone were trademarks of their sound. The end of 1976 saw major changes when new members, vocalist Goran Kovacević, bassist Aleksandar Kostić, drummer Munib Zoranić and another keyboardist Darko Arkus, recorded the eponymous second album. Lenđel left the band in late 1977 leaving the others to complete their third album in 1978. It failed to attract the public attention, so shortly Teška industrija disbanded. Kovacević joined Laza Ristovski and Ipe Ivandić who recorded an interesting simphonic prog album "Stižemo" and in the 1980s tried unsuccessfully to launch a solo career. Vajta, on the other hand, enjoyed enormous popularity throughout 1980s and 1990s as a pop singer and occasional TV actor. Hadžiabdić, as the only original member of Teška industrija, together with drummer Zoranić, made an attempt to revive the band in 1984 with new members, singer Narcis Lalić, bassist Sead Trnka and keyboardist Zoran Krga, but the resulting album "Ponovo s vama" was unsuccessful. The founder Lenđel worked many years as producer and arranger at Radio Novi Sad, Serbia, while during the 1990s moved to Budapest, Hungary. The final comeback of the band so far happened in 1996 when Hadžiabdić gathered another line-up, but again without any results worth mentioning, because the album "Ruže u asfaltu" was more pop than rock effort. In terms of prog rock recommendation, first two albums are worth listening especially if you like "heavy" side of prog (like Uriah Heep or Deep Purple), while two compilations available in CD format are also good overview of the band's career. (by Sead S. Fetahagić)