MATT COLLINSs was born as Karlo Metikoš on February 8, 1940 in Zagreb, Croatia (ex-Yugoslavia). Studied to become a classical pianist but got absorbed into rock and roll in 1956 via couple of singles (Bill Haley, Elvis Presley, Little Richard) that he got as a present with an imported record player. Finding replacement needles for western gramophones was next to impossible in 50's Yugoslavia so he had to improvise with ordinary sewing needles to cater for his hunger for music. Needles to say he played those few precious records to the bone. Got his first paying job in 1958 in a cabaret show. Since nobody in the management knew nothing about rock and roll they simply filed him under negro spirituals and made him wear black shoe polish makeup on stage. In 1959 he puts together a vocal group "Regal", and sings to French tourists in holiday resorts on the Adriatic coast. The band appears a few times on regional television which sparks a controversy over its name. In Serbo-Croatian language "Regal" is most commonly associated with a three wing wardrobe. In December of 1961, encouraged by French "fans", Matt arrives in Paris with only a dollar in his pocket. He had spent his modest budget on a trendy shirt in Dannemark. For some time he lives in the street or in shelters and goes to auditions. Finally, he gets to play at American army bases. For this he had to learn the songs which were popular stateside. Since he had little money, Matt went to a record shop on Chaps du Elliseys where they had booths for listening. He spent hours in that store played all the songs several times until he learned them all. At that time Matt caught the attention of Phillips Records as one of the most popular singers in a club called "Golf Druo". Philips records coupled him with a vocal group "Double Six of Paris" in an effort to cover the Cascade's hit "Rhythm of the Rain" in French. Making cover of American hits in native language was a common practice throughout Europe, for these records easily outsold the originals. The record was a huge hit in France which led to further singles on Philips like "Nobody But You" and "She's Not You". In 1962 riding high on the tide of his French fame (in the poles he was higher than Syvie Vartan and Johny Hallyday-The French Elvis) Matt comes back to Yugoslavia. He toured his homeland a few times in the mid 6O's, always to fanatic response of the audience. Yugoslav singer have always been popular in the Soviet Union, so Matt joined a few package shows. In this country he was known as the Man of steel (Zheleiznoe Thchowek) because of his gold lame suit like the one made famous by Elvis. It was here that he was ordered to sing either in Russian or Serbo-Croatian, because whenever he sang in English the authorities had to bring policemen on horses to calm down the audience. Eventually a deal was struck. One song per concert could be sung in English. From 1966 to 1971 Matt and his band were under contract to appear in Hilton Hotels across Mediterranean, Asia and Africa. In Teheran he appeared with an Italian band on The Schah's birthday party. Time was scarce to prepare a sort of "Happy Birthday" song, so Matt came up with the idea to sing a rock version of a Croatian folk song "Marica"-"These are not the sails of my boat, they are the underpants of my girlfriend Marica". The Schah Resa Pahlavi liked the song and awarded each member of the band with a golden coin. In Morocco he played for the harem of King Hasan. The band was locked in the bathroom, golden plumbing and all, while the speakers were placed in the actual premises of the harem. Once in Addis Ababa during the meeting of The Organisation of African Unity, the emperor Bokhasa, later to come to international fame as cannibal, liked their music so much that he offered to buy the band a drink. Matt tried to negotiate a Dom Perignon, but Bokhasa was an anti alcoholic so he ordered the waiter to bring them each a cup of coffee. In 1971 he returns to Yugoslavia once more. He meets an upcoming young singer Josipa Lisac. It was love at first sight. Matt gives up his singing for a role of live-in husband and an exclusive songwriter. Josipa becomes one of the biggest stars of former Yugoslavia and still remains a huge celebrity in her native Croatia. During the 70's Matt draws attention to himself as author of rock opera "Gubec Beg", based on a leader of peasants uprising. In the 80's and until his death in 1991 Matt Collins was the songwriting force behind his wife's huge success. In 1984 he caused a stir in the media being a bad boy behind Josipa's sold out concert in the capital of Yugoslavia, Belgrade. During the course of that same night Matt, Josipa and their party crashed a Folk Club where the newspapermen saved Matt's life by preventing him from snatching the microphone away from the house singer. Now a reader should be avare that Yugoslav folk music consists from a Accordion based melody with Greek and Turkish elements thrown in for good measure. Singing R&R there, would be like trying to enlighten guests at a Hassidic wedding with a little heavy metal. Matt was in a grave mood:" Maybe these people never heard of Rock and Roll. In my time we had the twist, madison.. Do I have to learn to Kolo (a traditional ring dance) just to save myself from being run over by the crowd?" The party had a meal during which Matt indulged in some target practise using tchevapchtci ( a grilled minced meat fingers) as ammo and singer as a target. The next stop of Matt's Belgrade cruise was a trendy discotheque. The DJ spotted Matt and unearthed a copy of "Hey Hey Hey" (a Little Richard's cover). Nobody could stop Matt from grabbing the mike this time and singing along with his voice on the record. This all came as quite a shock to regulars raised on Duran Duran and Boy George. Nevertheless the raw energy vibes it was reported in the press, was something that everyone understands and is able to feel. Matt got a standing ovation for his little stunt-some applauded to the legend whom the recognised, others to the brave imitator of the singer from that strange old record. Matt Collins died in summer of 1991. Exactly one year later his wife Josipa launched the first of now annual tribute concerts where contemporary artists mix with 60's veterans to pay homage to a great man and Rock and Roll - the music that started it all. (by Miroslav Schossberger)
VIS PLAVI were from Beograd, Serbia (ex-Yugoslavia). Members were Miroslav Jankov (guitar), Petrač Vučković (keyboards), Marek Pawlak (vocal, guitar, bass), Dragan Aranđelović (saxophone), Laszlo Steiner (saxophone), Zoran Jurkić (flute, saxophone), Dušan Mijić (bass), Novica Novović (drums) and Bodi Nov (drums).
BORIS ARANĐELOVIĆ was born on 13 October 1948, in Kragujevac. In 1973 he joined the Smak as vocalist and from that time everything is legend. Here is Boris Aranđelović solo album "Iz profila" released for Diskoton in 1982. Album was recorded in studio "MS" in Beograd with best musicians around: Laza Ristovski (keyboards), Jovan Maljoković (sax), Slobodan Stojanović Kepa & Vlada Furduj (drums), Zoran Milanović (bass), Bata Kostić and Radomir Mihajlović Točak (guitars). (from exyupoprockmadnes)
RADOMIR MIHAILOVIĆ TOČAK is guitarist, composer and leader of the band SMAK. His playing style is characterised by mixture of emotional expression and unique technique. Among other things, his specific style includes skillful fingerpicking and vibrato techniques. In many compositions he uses non-standard string tunings along with natural effects obtained from the guitar amplifier. For a long time he's been running his own guitar school. As a solo artist he took part in many recording sessions of other bands. Together with Slobodan Stojanović on drums and Mikica Milosavljević on bass, he is playing in a trio called TEK. He also composed soundtracks for film and theatre, and in 1994 he was awarded for the "Byzantine Blue" film score. Točak is also engaged in experimenting with computers while composing. (by Sead S. Fetahagić)